Here’s a shot of the house some guy friends and I rented last month in Paddock Lake, WI. You can see from my rather long shadow on the left that the sun is setting behind me. From the boat ramp, you could also reasonably guess that there is a body of water directly behind me. The steep-roofed house to the left was abandoned but still fascinating.
This two-minute instrumental piece represents a pure experiment in texture and instinct. Heavily influenced by a recent deep dive into Brian Eno’s work, I wanted to see what would happen if I layered disparate sounds without over-constructing the result.
My mother died on October 3rd so I made this tribute video with my dad and my siblings. In this post, I describe the process I used to make the video.
Playing it well enough to play it without thinking is really how you unlock the creative choices available to a player. It’s also how you get to that elusive and prized flow state of playing, where you’re free to experience the creation in real time
Back in 2015, I cram-learned a bunch of tips and tutorials on fireworks photography… Here are the basics of how I did it, including the exact gear and camera settings you need to get the best results.
Well, the time has come to rejoin the live performance world. On Sunday afternoon, April 21st, I’ll be playing a solo acoustic set as part of the International Pop Overthrow festival happening at Montrose Saloon.
I have long talked a big game about doing a FAWM (February Album Writing Month) but typically other distractions and priorities have prevented me from moving forward. Ever the optimist, I decided to take a stab again in 2024. Today,
